With a vision and vocal style that is as unique as it is precise and all-embracing, Lisa Gerrard has established herself as one of the world’s most highly acclaimed film composers and vocalists.
Górecki’s Symphony No. 3 “Sorrowful Songs” - International Genesis Orchestra
Sofia, Bulgaria, 14 March 2018
Beautiful performance of 'Vehadi’ by Lisa and the Genesis Orchestra
Performance of 'Sanvean’ by Lisa and the Genesis Orchestra
Latest Releases
'Come Tenderness' by Lisa Gerrard
Release Date: 15th November 2024
Gerrard Records
Lisa Gerrard returns with a new compilation album; 'Come Tenderness', available on Vinyl, CD, and digital on the 15th of November 2024.
Order Physical & Stream: https://airedelrecs.lnk.to/2024Remaster
The album's core inspiration is the healing power of water. Personally curated by Lisa, it features ten of her most exceptional works newly mastered alongside a brand-new song, ‘Whispers’.
The hand-picked playlist forms a cohesive album showcasing each track in a new light alongside striking artwork by Nigel Grierson.
"Come Tenderness, is a meditation of subliminal attempts to subtly embrace the soul tissues. The process of selecting the pieces was one of a desire to intertwine and unravel the journey within." - Lisa
(More physical outlets for pre-order will be added over the next few weeks – please check the link above for your international store.)
One Night in Porto Lisa Gerrard and Jules Maxwell
Released: Digitally on 12th May 2023
Label: Atlantic Curve
The album is available to buy and stream across all digital platforms, CD & Vinyl. Discover now >>
Exaudia by Lisa Gerrard and Marcello De Francisci
Following on from the release of her collaborative album ‘Burn’ last year, alongside Dead Can Dance’s Jules Maxwell and James Chapman from MAPS, Lisa Gerrard has now joined forces with producer and composer Marcello De Francisci for the stunning new LP ‘Exaudia’.
Working alongside a team of other musicians including Bahar Shah, Astrid Williamson, Daniela Arbizzi, and Farhad Behroozi, ‘Exaudia’ looks to combine the broad and euphoric textures of De Francisci’s production with the warm and haunting vocals of Gerrard. Described as “a feminine embodiment of poetic expression”, the record plays majestically with this narrative, inviting a rich and vivid texture within each offering.
Explaining how the collaboration came about, Lisa said, “I met Marcello while I was composing for a film called Kings, he had wonderful engineering skills and I liked him as a person. After a while we decided to try composing together and went on to compose some film scores.
“This work was borne out of a desire to write something together during Covid, there is also the artistic desire to embrace the opportunity to unlock our unfulfilled visions. The album is very physical in its construction and sensibility, it is a deeply sensual work that enjoys a sense of empowered subtlety.”
Adding about the inspiration behind the record, Marcello De Francisci said, “For quite some time I had been playing around with the idea of composing a brand new track to Lisa Gerrard’s vocals on “Diary for the Fallen”. I wanted a darker and more brooding version, which could be attributed to Hans Zimmer’s “Time” from the “Inception” soundtrack without plagiarising his work. I wondered what it would have sounded like if Lisa Gerrard had sung on something of this nature, in addition pushing the envelope even further by writing an aria towards the end of this piece including orchestra, choirs and percussion, which would result in one grand finale. It had to be something completely our own”.